James’s novels, while exploring emotional entanglements, leave few clear moral lessons and plenty of space for conjecture. His uncertainty about changing social roles and his discomfort with his own homosexuality are expressed in his handling of intimate relationships. He was never married and likely never had an intimate relationship. Also, James was probably same-sex attracted, a sexuality that was deeply frowned upon in his time.
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“James didn’t really know how to cope with the changing sexual and gender codes of the era,” says Rowe. This left James, like many of his peers, rather confused. Women worked outside the home more and attended co-educational colleges, and the Women’s Suffrage Movement gained considerable steam. He was as confused about sexuality and changing gender roles as we areĭuring The Gilded Age, gender roles began to change. “He exemplifies a high-culture standard of taste, refinement and education for which people today are nostalgic.”
“James represents what many people want to be a part of: the high culture, drinking fine wine surrounded by oil paintings,” says Rowe.
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They continue to feed our seemingly endless appetite for historical romance, as exemplified by popular TV shows like Bridgerton, Downton Abby and, of course, The Gilded Age. Many of James’ books, like The Bostonians, have been adapted into popular period films, with decadent sets and costuming. James’s novels were centered in this social milieu, one filled with elegant manners, parlor room romances and elaborate dresses. It saw the rise of the Astors, the Carnegies and the Vanderbilts, marked by their lavish parties and grand estates. The usual reason given for James’s continued relevance is our ongoing obsession with the grand historical époque the “Gilded Age.” Spanning 1870 to around 1900, it was an era marked by a booming, industrializing economy that made some families hugely wealthy. James’s hesitancy around cultural problems, rather than an ability to write universal truths, may best explain his enduring reputation. James does not always rely on ambiguity as a strategic device to encourage the reader he is often inconclusive because he does not know how to end his story,” writes Rowe. “My work with them has led me to a rather odd conclusion for a scholar who has spent much of his life celebrating James’s genius. Rowe was partially inspired by a USC Dornsife course he teaches on Henry James, in which he asks his students to examine the reasons for James’s popularity. He explores why James has remained so influential long into the new century, documenting his findings in his latest book, Our Henry James in Fiction, Film, and Popular Culture (Routledge, 2022). Maybe not, says John Rowe, USC Associates Chair in Humanities and professor of English, American studies and ethnicity and comparative literature at the USC Dornsife College of Letters, Arts and Sciences, who has been teaching students about James for nearly 50 years. John Rowe has written several books on Henry James, as well as books on American literature and culture. His writing has been adapted for film and television over 150 times, from miniseries to movies, starring luminaries like Marlon Brando, Cybill Shepherd and Nicole Kidman.Īt first glance, his books, which follow the romantic entanglements and inner lives of turn-of-the-century aristocrats, seem like an odd fit for modern Hollywood. You may not have read anything by Henry James, but you’ve likely seen his work on the silver screen. James was an early expatriate writer, perhaps the first to glamorize writing about America from abroad, and influenced many subsequent expat writers.He was writing at a time of changing gender roles, and struggling with his own homosexuality.Although he was published before movies were popularized, Henry James anticipated our viewing interests: aristocracy, romantic entanglements and psychological weirdness.Even if you haven’t read his books, you’ve likely watched his plots. Some 150 (and counting) film and TV adaptations of Henry James novels have been produced.
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